I can buy my own unicorns… Artwork
Original art work created and illustrated by Hannah Crawford subject to copyright.
Original art work created and illustrated by Hannah Crawford subject to copyright.
What you will need:
2.) Place the cubes of jelly into a large mixing bowl. Add 1/2 pint of boiling water to the mixing bowl & stir until all of the jelly has dissolved.
3.) Add half a pint of cold water to the mixing bowl and gently stir.
4.) Place the raspberries evenly into your glasses of jelly mould.
5.) Pour the jelly mixture into the glasses or into your jelly mould. The raspberries will rise to the top of the jelly.
6.) Place the glasses or the jelly mould inside of the fridge for 6 -12 hours. For the best results leave overnight to set.
7.) When the jelly has set, you can remove it from the fridge. It is now ready to eat!
Enjoy!
Recipe by Hannah Crawford
4.) WEIGH YOUR CASTER SUGAR, PLAIN FLOUR/ ALL-PURPOSE FLOUR AND BUTTER. PLACE THE FLOUR AND THE SUGAR INTO THE MIXING BOWL. STIR WITH YOUR MIXING SPOON.
5.) ADD THE BUTTER TO THE FLOUR AND SUGAR. RUB THE FLOUR, SUGAR AND BUTTER TOGETHER WITH YOUR HANDS.
6.) DRAIN THE FRUIT FROM THE PAN AND POUR EVENLY INTO AN OVEN PROOF DISH.
7.) ADD A LAYER OF CRUMBLE TOPPING ON TOP OF THE APPLE AND THE MANGO CHUNKS.
8.) PLACE THE CRUMBLE INTO THE OVEN AND BAKE UNTIL IT TURNS GOLDEN BROWN. (APPROXIMATELY 30 MINUTES).
9.) USE A STAR CUTTER AND PLACE IN THE CRUMBLE. YOU MAY NEED TO PLACE A SPOON UNDERNEATH THE STAR.
10.) THE APPLE & MANGO CRUMBLE IS READY TO EAT! SERVE WITH SOME CUSTARD OR VANILLA ICE CREAM.
Enjoy!
Recipe by Hannah Crawford
Recipe by Hannah Crawford
Recipe by Hannah Crawford
Recipe by Hannah Crawford
2.) ADD THE BUTTER IN WITH THE APPLES, 2 TEASPOONS OF CINNAMON & 1 TEASPOON OF FRESH COLD WATER. MIX THE INGREDIENTS TOGETHER WITH A LARGE MIXING SPOON.
3.) COVER THE BAKING TRAY WITH A LAYER OF GREASEPROOF PAPER.
4.) PLACE THE APPLE CHUNKS ON TOP OF THE BAKING TRAY. DO NOT PLACE THE APPLES ON TOP OF EACH OTHER OR TO CLOSELY TOGETHER.
Recipe By Hannah Crawford
The Gourmet Pizza Company is a restaurant on Gabriel’s Wharf, on the South Bank of the Thames. It has become a family favourite of mine whenever we are visiting Central London. This is because the food they serve is simply delicious!
The restaurant specialises in freshly prepared pizzas, however if you do not fancy ordering a pizza there is plenty to choose from in terms of salad, fish, chicken, pasta dishes and vegetarian alternatives. The prices are good, especially for the portion sizes which are really generous, and I have never left the restaurant feeling hungry.
There is also a great selection of starters and desserts on the menu. The drinks choice is also vast, with a wide range of white and red wines and other alcoholic beverages, as well as several types of tea and coffee.
We often joke that outside looks like the perfect set for the legendary 1975 thriller film Jaws. The beach-hut designed buildings in Gabriel’s Wharf is a great location for visitors who want to view the galleries, eat and drink, or for those who want to explore the extraordinary shops with their handmade products.
Although there is no set children’s menu the staff will do their very best to provide your youngsters with any special requirements, including high chairs. I asked for a pasta dish that was not on the menu for my child and they provided him with it straight away, and he cleared his plate! So if you are visiting with young children and want any special requirements, I would recommend that you ask a member of staff and they will more than likely help you. The only downside to taking young children to The Gourmet Pizza Company is that there are no proper changing facilities for them, so you may want to consider this.
I must admit that I have never had a problem getting a table whenever I have visited, nonetheless I have heard that it can get extremely busy, and you may have to wait to be seated during its busiest periods.
It was raining extremely hard during my latest visit so we chose to eat in the restaurant. The restaurant’s interior and the open kitchen provide a nice homely environment, and the staff are always extremely friendly and really nice to talk to. They will go out of their way to help you with any requests. Conversely, when the weather is warm during the summer months, there is something magical about choosing to sit outside in the seated area to eat whilst you face the river and watch the world pass you by.
I would highly recommend the Gourmet Pizza Company restaurant whether it is for lunch or dinner, with family or on a date.
Gourmet Pizza Company, Gabriel’s Wharf, 56 Upper Ground, London, SE1 9PP
Simon Horrocks low budget Sci-fi Thriller, Third Contact (2011) went down a storm last night at London’s Waterloo IMAX cinema. Not only does Horrocks raise awareness about the issues surrounding mental health he effectively demonstrates an intellectual insight into depression. Third Contact immediately breaks the traditional rules of Hollywood with the absence of an establishing shot. Instead, the audience is transported into a deep conversation about quantum suicide between a therapist, Doctor David Wright, and his patient. Tim Scott- Walker’s convincing portrayal as the tormented therapist Doctor Wright, allows the audience to connect with the disoriented character.
Horrocks filming techniques reminded me a lot of the pioneering filmmaker, Jean Luc-Godard. The low budget, the decision to edit the film in black and white, and the use of handheld cameras, are just some of the reasons why. Similar to Godard, Horrocks purposefully created confusing and chaotic sequences that shrewdly leave the audiences guessing. In addition Horrocks also utilizes filmmaking in order to express and explore mental illness and the key ideas of existentialism such as despair, angst, and facticity. Godard frequently explored the norms and values of society, and the notions of death.
A sense of Film Noir shines throughout the story with Horrocks bold decision to edit the film in black and white, which positively impacts the mise en scene. Diegetic and non-diegetic sound is used to heighten and shape the poetic mood of the narrative. The actors convey emotions and thought through the use of body language and facial expressions when there are little or no dialogue sequences. Lighting is used to create a dramatic contrast between lightness and darkness.
Props are intelligently used by Horrocks, with empty photographs frames dotted around several interior scenes. The picture-less frames connotes the characters are lost, unknown, empty and unrecognizable figures. Most importantly it is a direct reference to memories, which is another key theme that runs throughout the narrative. Photographs have the ability to preserve history. Not only does the physical evidence help to protect someone’s memories, photographs are a great method used to illustrate someone’s life story. Photos can evoke emotions from the protagonist concurrently they invite others to share your memory, even if they were not present at the time. Characters are unable to share each other’s memories in the Third Contact with most of the photographs being absent. Additionally the protagonists lack the physical evidence that proves that their memories are, in fact, real and not a figment of their imaginations.
A regular patient of Dr. Wright is shown crafting a children’s doll at his workplace. As one life ends another life is being born, although the life is that of a doll this scene still exemplifies the concepts of life and death.
Suicide is a prominent subject, running from beginning to the end of the film. If somebody thinks about committing suicide or attempts to take their own life, it is a clear indication that something is wrong in a person’s life. Why do people commit suicide? Does depression steer people into wanting them to take their own lives? Can an individual single-handedly encourage somebody else to end his or her life? Or is it society as a whole that drives people into such disappear, that they are left little choice but to depart this life? Suicide is a dark and complex subject to understand as each case is complex in its own way. These are the questions that Horrocks raises throughout the film.
Third Contact kept me entertained for a whole ninety-nine minutes, as a vast amount of time and research has evidently gone into writing this script, it is far from being over-scripted or predictable. The non-linear narrative captivates the audience as it forces them to work hard in order to unravel the plot. Although Third Contact can be compared to other films, it maintains its originality and manages to keep an edge over its predecessors.
As an aspiring scriptwriter and filmmaker, I have studied Film, television and New Media for the last six years. I know how difficulties arise during pre-production, production, and post-production. I have nothing but admiration for Simon Horrocks as he successfully taught himself how to write scripts, film, overcome budgets and how to edit. Horrock’s determination and passion for this film has definitely paid off, Third Contact is stimulating and intriguing. Long gone are the days where Horrocks used to sell popcorn to movie goers, instead he will be selling cinema tickets for people to watch his own films, as he can now proudly call himself an independent filmmaker.
I would definitely recommend for others to watch.I rate Third Contact an impressive five stars out of five.
Written By
Hannah Crawford